The Soloist

After hearing Scheherazade at an early age, Holly Mulcahy fell in love with the violin and knew it would be her future. Since then, she has won multiple concertmaster positions in symphonic orchestras across the country while maintaining a robust solo career and a small non-profit organization.

Holly is currently serving as concertmaster of the Wichita Symphony Orchestra as well as Wichita Symphony’s Partner for Audience Engagement; a position dedicated to building meaningful relationships with audiences by breaking down stereotypical barriers.

Holly began developing her leadership skills at the renowned Peabody Institute of the Johns Hopkins University with former Baltimore Symphony concertmaster Herbert Greenberg. In recent seasons she has enjoyed serving as concertmaster of the Chattanooga Symphony & Opera, the traveling concertmaster for Emmy Award winner George Daugherty’s Bugs Bunny at the Symphony, and as guest concertmaster for the Columbus Symphony, Baltimore Chamber Orchestra, and Carmel Symphony.

As an in-demand performer, Holly balances her orchestral duties with numerous concerto performances across the country. Passionate about performing living American composers’ works, Holly has been featured as soloist for concertos by Jennifer Higdon, Jim Stephenson, Philip Glass, and now a concerto by Hollywood film composer, George S. Clinton.

This new concerto by George S. Clinton, The Rose of Sonora: a violin concerto in five scenes, is inspired by true stories about the lives of legendary women in the Old West and takes the listener on an epic western adventure of love, loss, and revenge. Booked coast to coast, immediately after the world premiere, Mulcahy and Clinton have received rave reviews and a solid fan following who travel to each performance.

Believing in music as a healing and coping source, Holly founded Arts Capacity, a charitable 501(c)3 which focuses on bringing live chamber music, art, artists, and composers to prisons. Arts Capacity addresses many emotional and character-building issues people face as they prepare for release into society.

In addition to an active performing career, Holly is the author of Neo Classical, a monthly column on the future of classical music. On days off, Holly maintains a reputation for planning and hosting exquisite gourmet parties in her Chicago home.

Holly performs on a 1917 Giovanni Cavani violin, previously owned by the late renowned soloist Eugene Fodor, and a bespoke bow made by award-winning master bow maker, Douglas Raguse.

Recording The Demo At Capitol Studios


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